Attendees have given their verdict on the first major biennale to take place since the pandemic began.
Biennale theme fits into current “fragility”
Curated by Hashim Sarkis, the theme of this year’s biennale is “How will we live together?”
“The title was decided before [the pandemic] but it was perfectly fitting in the fragility that we see nowadays,” Boeri added.
“It’s a very peculiar biennale, where sometimes the perspective is coming from other disciplines such as psychology, anthropology and environmental sciences, instead of a typical disciplinary point of view.”
“I believe very strongly that the central questions of politics are no longer in politics, and that they have migrated or have always been implicitly somewhere else,” Sarkis said in an interview with Dezeen ahead of the opening.
“So therefore I’m hoping that we can find answers to this question through architecture.”
Aim for more diversity
Despite this, Sarkis himself admitted the biennale “could be doing better” to showcase diversity.
His main exhibition in the vast Arsenale complex is widely seen as a success. However, the Giardini, which features 29 national pavilions plus the central pavilion, which is also curated by Sarkis, has been less favourably reviewed.
“Hashim Sarkis’s exhibition in the Arsenale is very well curated: it moves from an understanding of how fluid ideas about the self actually make new social relations and hence new architecture possible,” said architecture writer Tim Abrahams on Twitter.
“Central Pavilion a bit of a mess but it always is,” Abrahams added.
With the biennale postponed from 2020 due to the pandemic, there was a palpable sense of excitement during the preview days, with many visitors seeing friends and attending a cultural event for the first time in over a year.
‘Venice in these days of the Biennale was vibrating with the energy of more people than I expected, considering the situation we were living in Italy a few weeks ago,” said design curator Valentina Ciuffi, who is co-founder of Milanese design platform Alcova.
“People seemed happy to be there and to finally experience something together.”
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Arsenale exhibition features “cultural mixing”
“I’m really impressed now to see that there’s so much public,” said the architect, who is taking part in the As New Households exhibition at the Arsenale.
“I have to admit I had doubts that we’d be able to do such an opening so I think it’s amazing. It seems to be the first moment that a lot of people are able to meet again and discuss architecture,” he added.
“I have to say that for me being here is so enriching. I’m not a big online guy so if I don’t have these kinds of events I don’t get the same kind of inputs.”
Most will experience 2021 edition digitally
With the trajectory of the pandemic still uncertain, biennale visitor numbers are expected to be significantly lower than the 275,000 who attended the 2018 edition.
This means that most people will have no choice but to experience the 2021 edition via a screen.
“We have been struggling for more than a year to find new ways to exhibit virtually,” added Valentina Ciuffi.
“We are finally fine-tuning some good tools. We could exploit the progress we made to spread the knowledge online and make real exhibitions less didactic and more able to stimulate us in a full way.”
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